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The focus unfortunately keeps Linkous from accessing any truly awe-inspiring standout moments like the ones on past records, but the overall result is a lot. Driven by burbling keyboards, drum machines, acoustic guitar, and piano, and populated with spooky, homespun images of babies, teeth, nails, and horses, most of the album consists of gently unsettling ballads like the title track and "Apple Bed." Edgier, poppier songs like "King of Nails" and "Comfort Me" don't sound out of place, but the stomping, clunky, Tom Waits-lite of "Dog Door," which actually features Waits on lead vocals, is a distraction. Its a Wonderful Life is a strong offering for Sparklehorse, largely shaking off the excesses of past efforts (maddening Tom Waits collaboration aside) in favor of cohesion and structure. More Music Reviews XtraKcts & ArtifaKcts CD 10. Persson's sweetly empathetic voice shines on "Gold Day" and "Little Fat Baby," while Harvey's passionate style fits "Piano Fire" and the brooding ballad "Eyepennies" perfectly. Sparklehorse: Its A Wonderful Life CD Tape Op is a bi-monthly magazine devoted to the art of record making. It's also his most collaborative album, with co-producer and Mercury Rev alum David Fridmann adding just the right amount of warmth and weirdness and the Cardigans' Nina Persson and PJ Harvey contributing backing vocals that rival their work on Gran Turismo and Stories From the City, Stories From the Sea. Though it lacks Good Morning Spider's sprawling brilliance, it's possibly Linkous' most effective, and affecting, collection of songs. Whether this has anything to do with the fact that this is reportedly singer/songwriter Mark Linkous' first substance-free work is arguable, but regardless, it's a noticeably more focused effort. However, the group's third album, It's a Wonderful Life, is its most open and direct work yet. Recorded and released in 2001, after Linkous' near-fatal overdose in a London hotel room, the album is a beautiful and fragile exploration of somber themes.
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This album feels like an afternoon in an old abandoned house, full of evasive spirits. The 3rd album from the late Mark Linkous' Sparklehorse, It's A Wonderful Life, was the first to be recorded in a commercial studio with a full band. Im full of bees who died at sea its a wonderful life its a wonderful life. Mark goes further in the creepy underworld with various instrumentation and sound manipulations 'Devils New' and 'Babies'. I am the only one can ride that horse thyonder. But where the Lips are lovably loopy and Mercury Rev is arty and wry, Sparklehorse wraps deep-seated, often uncomfortable emotions in layers of metaphors and static. 'Its a Wonderful Life' will be no disappointment to Sparklehorse fans. Along with the Flaming Lips and Mercury Rev, Sparklehorse crafts strangely beautiful - and beautifully strange - music inspired by down-to-earth sounds as well as spacey experimentalism.